PBS chief defends filmmaker Ken Burns, touts diversity

chief executive of PBS rejected a filmmaker’s argument that public TV's 40-year relationship with documentarian Ken Burns has come at expense of diversity. President and CEO Paula Kerger was asked Tuesday about an essay by filmmaker Grace Lee, who contended that public TV's deep attachment to Burns, whose series include “ Civil War” and “Baseball,” slights viewers of color.

“I feel very privileged to have opportunity to work with Ken Burns, whose legacy is extraordinary and as we look forward, has a very rich pipeline of programs that he’s bringing to public television,” Kerger said in a virtual Q&A with Television Critics Association. “We create lots of opportunities for many filmmakers,” Kerger said. Burns “mentors a number of filmmakers who w have quite established careers and he has a deep commitment to mentoring diverse filmmakers.”

She said she “respectfully disagrees” with Lee's arguments in a essay last fall for Ford Foundation. Among m: that PBS decision-makers and funders have an interdependence with “one white, male filmmaker” who represents “one man’s lens on America,” as Lee put it.

ting that she was a producer on PBS’ “Asian Americans" last year, Lee wrote that she takes seriously wher public TV reflects diverse audience it was founded to serve because “I largely owe my documentary career to PBS.” Kerger, who called Lee a “very talented filmmaker,” said PBS has worked with her on a number of projects “and I envision we’ll continue to work with her.”

Kerger said PBS is intent on fostering a culture of inclusion and ensuring that diverse voices are part of “every aspect of content creation." Among upcoming projects she highlighted: a May film about 1921 Tulsa race massacre, which decimated a Black business district in Oklahoma.

Burns is kwn for sweeping, award-winning examinations of chapters and issues in American history, including “ Vietnam War” and “ Central Park Five.” Through a spokesman, he declined comment on Lee’s comments. In a separate panel with TV critics Tuesday about “Hemingway,” a documentary about writer Ernest Hemingway directed by Burns and Lynn vick and airing on PBS in April, Burns was asked about choosing subjects for his occasional film biographies.

A reporter ted y have featured prominent white people, including artists and political figures, but focused on Black athletes, among m pioneering greats Jackie Robinson, Jack Johnson and coming this fall, Muhamm Ali. Burns said Louis Armstrong deserves his own lengthy documentary but was a central figure in “Jazz,” an example of biography as “one constituent building block” of broer historical films.

As for who gets singled out, “it has be done with your gut,” Burns said, n echoed a comment by vick, his longtime colleague. “As Lynn said, y choose us." " stuff that’s coming up is incredibly diverse in every sense of meaning of that word,” Burns said.

(Im Credit: AP)